Informations

Duration: 8 September 2012 - 29 June 2013
Location: JULIA STOSCHEK COLLECTION, Düsseldorf
Opening hours: Saturdays, 11 a.m. - 6 p.m., free entry!
Guided tours
Floor plan

 

NUMBER SIX: FLAMING CREATURES. 8 September 2012 - 29 June 2013

A “love of the unnatural: of artifice and exaggeration,” is how writer Susan Sontag described the concept of “camp”, which forms the red thread running through this exhibition from the JULIA STOSCHEK COLLECTION. “Camp” is an exaggerated kind of perception that emerged in the course of aestheticism and dandyism. “Camp” first came into being at the turn of the 20th century and peaked in the 1950s and 1960s. 

A key starting point for the exhibition, and one of immense historical importance, is the work of US underground artist, performer and filmmaker Jack Smith (born in 1932. Died in 1989); his scandal-sparking film FLAMING CREATURES (1962-63) is the source of the title of the new presentation.
Jack Smith’s oeuvre strongly inspired an entire generation of artists such as Andy Warhol, Robert Wilson, Cindy Sherman, John Waters and Mike Kelley. Without him, “Camp”, Punk and Pop-Postmodernism would be inconceivable, as would experimental theater.
FLAMING CREATURES is a surrogate for something that manifestly materializes as an extreme, excessive and exuberant element in the positions taken by the individual artists. In this context, Jack Smith should be seen not as the source of the idea, but as a key position in a critical enquiry into reality and fiction, identity and gender.

An appropriation of fictitious realities or creaturely processes is common to all the works represented in the show. Pieces by Aura Rosenberg, Tony Oursler, Bruce Nauman and Paul McCarthy, serve to sharpen the exhibition’s focus on how each artist explores the self and self-alienation. By using disguise or clown-like exaggeration the artists involved create a new dimension, one not limited to film and instead also including a physical level.
Moreover, a conscious addressing of pop and trivial culture is a further connecting element. In particular, Ryan Trecartin, Ed Ruscha as well as Paper Rad, Mike Kelley and John Bock adapt these themes in their works, subjecting them to an ironic twist.

Please notice, there are special screening times for some of Jack Smith's films, presented in the exhibition:

Saturdays:

12:30 p.m. Jack Smith, "Flaming Creatures", 1962-1963, 16mm film, 43 min.
approx. 15 min. break
1:30 p.m. Jack Smith, "Normal Love", 1963-1965, 16mm film, 120 min.
approx. 15 min. break
3:45 p.m. Jack Smith, "No President", 1967-1970, 16mm film, 45 min.
approx. 15 min. break
4:45 p.m. Jack Smith, "Flaming Creatures", 1962-1963, 16mm film, 43 min.

The Hatje-Cantz Verlag will be publishing a catalog to accompany the exhibition in November 2012.

German-language guided tours: Free German-language guided tours of the exhibition will be held every other Saturday at 11 a.m. and 2 p.m. beginning on 8 September 2012. Advance registration is required and is only possible online.
Accompanying film program: From October 2012 to June 2013, an accompanying film program will be shown every second Wednesday of the month at STUDIO 54. Free entry!

Artist list

John Bock, Lizzie Fitch, Birgit Hein, Mike Kelley, Paul McCarthy, Bruce Nauman, Tony Oursler, Peaches, Paper Rad, Peaches, Aura Rosenberg, Ed Ruscha, Jack Smith, Gwenn Thomas, Ryan Trecartin

 
© Julia Stoschek Foundation e.V. 2010 | Schanzenstrasse 54 | D 40549 Düsseldorf | Tel. +49.211.585.884.0 | Fax +49.211.585.884.19 | info@julia-stoschek-collection.net