NUMBER TWELVE: HELLO BOYS

NUMBER TWELVE: HELLO BOYS draws a line from the feminist video and performance pioneers of the 1970s to selected contemporary positions among female photographers and video artists. The exhibition featuring works from the JULIA STOSCHEK COLLECTION has borrowed its title from that of Hannah Wilke’s video performance HELLO BOYS (1975), which it also takes as the curatorial starting point for the perception and representation of female identity. A large number of female artists used video, which was then still a new medium, to document their performance-based works. To the exhibition

NUMBER ELEVEN: CYPRIEN GAILLARD

Cyprien Gaillard often starts a new work by seeking out artefacts, monuments or architectural creations which seem to have lost their significance in the present time. His nomadic gaze takes in backdrops both urban and natural, manicured or wild, focussing on spots where beauty has evolved from decay or where violence has left scars on the landscape. Thus the artist vividly depicts the times and places where our present-day economic and cultural needs interact with architectural legacies or the cultural heritage of a region. Each of Gaillard’s film works orbits in its own ways the myths surrounding the various settings, describing how outworn utopian urges or belief systems collide with current social conditions and political realities. To the exhibition

NUMBER TEN: TRISHA DONNELLY

 The JULIA STOSCHEK COLLECTION is pleased to present, in its eighth year, its tenth exhibition with a selection of works by US-American artist Trisha Donnelly (born 1974). The presentation comprises works from the collection ranging from moving image, photography, sound installation to sculpture. The ensemble is creating a space saturated with a potential for transformations and reconfigurations of the senses, of realities. To the exhibition

THE NEW HUMAN

THE NEW HUMAN is a video-based exhibition project that artistically explores feelings of uncertainty, frustration, fear, bewilderment and confusion about the human condition today. It also gives a glimpse of some imagined scenarios of our future. The project has been made possible through a substantial collaboration between Moderna Museet Malmö and the JULIA STOSCHEK COLLECTION in Düsseldorf. The work presented in the project has been produced since the turn of the last millennium and spans from seminal contemporary classics to very recent productions. To the exhibition

TURN ON

From March 31 until August 29, 2015 on the occassion of the 50th anniversary of diplomatic relations between Germany and Israel key works from the JULIA STOSCHEK COLLECTION will be presented in the Tel Aviv Museum of Art. The exhibition will constitute the largest presentation of time-based media works in Israel. The exhibition title is borrowed from Adrian Paci's 2004 work TURN ON, allowing multiple, ambiguous associations with actions ranging from switching on, operating, and lighting to igniting, provoking, and titillating.
To the exhibition

WU TSANG: A DAY IN THE LIFE OF BLISS, JULIA STOSCHEK COLLECTION, 15 April - 2 August 2015

JULIA STOSCHEK COLLECTION will be presenting the two-channel video installation A day in the life of bliss (2014) by American artist, performer and filmmaker Wu Tsang (born 1982, lives and works in Los Angeles) in its Düsseldorf collection building on the occasion of Art Cologne 2015. Wu Tsang is interested in the formation of identites and the coding of social communities. Her involvement in the queer and transgender scene locates her films and videos in the “underground” as a space of action for cultural resistance.
To the exhibition

NUMBER NINE: ELIZABETH PRICE, JULIA STOSCHEK COLLECTION, 6 September 2014 - 2 February 2015

The JULIA STOSCHEK COLLECTION exhibition will be dedicated to British artist and 2012 Turner Prize winner Elizabeth Price (born 1966 in Bradford, Great Britain, lives and works in London). Since 2006, Elizabeth Price has mainly worked with digital moving images. The key focus of her conceptual, institution-critical works has been to examine the significance of cultural artifacts, collections and archives.
To the exhibition

NUMBER EIGHT: STURTEVANT, JULIA STOSCHEK COLLECTION, 5 April - 10 August 2014

As part of the Quadriennale 2014, the JULIA STOSCHEK COLLECTION will be showing a solo exhibition of the work of American artist STURTEVANT (born 1930 in Lakewood, Ohio; died in 2014 in Paris). The exhibition was conceived in close collaboration with the artist and focuses for the first time in such detail on the artist’s media-based output.
To the exhibition

NATHALIE DJURBERG & HANS BERG, THE EXPERIMENT, JULIA STOSCHEK COLLECTION, 8 April - 1 June 2014

To coincide with Art Cologne 2014, JULIA STOSCHEK COLLECTION will be showing Nathalie Djurberg’s and Hans Berg's three-channel video installation THE EXPERIMENT in the Collection premises in Düsseldorf.
Djurberg (born 1978 in Lysekil, Sweden) creates animated films that fascinate, amuse, disturb and shock. In her work she looks at the dark side of the human psyche – running through the whole gamut of perversions, sexual violence, fear, arrogance and vanity in a way that is both full of irony and at the same time almost painful to watch.
To the exhibition

HIGH PERFORMANCE. Time-based media art since 1996. The JULIA STOSCHEK COLLECTION guests at ZKM

Düsseldorf-based JULIA STOSCHEK COLLECTION is presenting key works from its collection of time-based media art at the ZKM | Karlsruhe in the exhibition High Performance. Time-Based Media Art since 1996 – it runs from March 16 through June 22, 2014. With large-format video works and films as well as multi-channel installations, the exhibition demonstrates conclusively how video art as an artistic medium has lost none of its power in the 50 years of its existence.
To the exhibition

NUMBER SEVEN: ED ATKINS & FRANCES STARK, JULIA STOSCHEK COLLECTION, DUESSELDORF. 7 September 2013 - 22 FEBRUARY 2014

As its NUMBER SEVEN show, JULIA STOSCHEK COLLECTION is presenting two artists in a dual exhibition: British artist Ed Atkins and US-american artist Frances Stark. In their multi-disciplinary approaches, Ed Atkins and Frances Stark reflect the change in how artists define forms and the discourse of representation in the world of media images.
To the exhibition

NUMBER SIX: FLAMING CREATURES, JULIA STOSCHEK COLLECTION, DUESSELDORF. 8 September 2012 - 29 JUNE 2013

A “love of the unnatural: of artifice and exaggeration,” is how writer Susan Sontag described the concept of “camp”, which forms the red thread running through this exhibition from the JULIA STOSCHEK COLLECTION. To the exhibition

NUMBER FIVE: CITIES OF GOLD AND MIRRORS, JULIA STOSCHEK COLLECTION, DUESSELDORF. 2 JULY 2011 - 30 JUNE 2012

The show features 44 works by 35 artists in all, including many that have never been shown before, works acquired in the past few years and site-specific spatial interventions. Each work is presented in its own, carefully elaborated setting.
Rather than being organised around a single theme, the exhibition picks up on several content strands and reflects current themes in contemporary art.
To the exhibition

NUMBER FOUR: DEREK JARMAN-SUPER8, JULIA STOSCHEK FOUNDATION E.V., Duesseldorf. 11 September 2010 - 26 February 2011

The JULIA STOSCHEK FOUNDATION e.V., in collaboration with James Mackay, and as part of the Quadriennale 2010 in Duesseldorf, presents the first comprehensive retrospective of the experimental film works of Derek Jarman from his Super8 archives. It represents the first solo exhibition of an artist in the JULIA STOSCHEK COLLECTION. The British painter, film maker, set designer and writer Derek Jarman (1942–1994) is best known to the wider public primarily as the director of stylistically influential feature films and music videos from the 1980s and early 1990s. Less well-known, but vital to his oeuvre, are the over 60 Super8 films that Jarman filmed from 1970 until his death in 1994. Taken from the subjective-personal perspective of his hand-held camera, the scenic arrangements mediate Jarman’s artistic approach in which life and art constantly connect with one another as a matter of course. To the exhibition

I WANT TO SEE HOW YOU SEE - JULIA STOSCHEK COLLECTION, Deichtorhallen, Hamburg. 16 April 2010 – 25 July 2010

For the first time world-wide, the JULIA STOSCHEK COLLECTION will go on show in a museum context and outside the private home of the collector in Duesseldorf. From 16 April 2010 till 25 July 2010 works by over 50 artists from this very young private collection will be on display in the Deichtorhallen in Hamburg on a total space of over 2,000 sq. m.. To the exhibition

NUMBER THREE: HERE AND NOW, JULIA STOSCHEK COLLECTION, Duesseldorf. 27 October 2009 – 29 July 2010

From October 2009 to the end of July 2010, the JULIA STOSCHEK COLLECTION will be dedicated to the subject of performance art. Organised by MoMA/P.S.1., the PERFORMA in New York and the JULIA STOSCHEK COLLECTION, the exhibition 100 YEARS (VERSION #1, DUESSELDORF) will be accompanied by a series of live performances on the second floor of the gallery. To the performance-programme

100 YEARS (VERSION #1, DUESSELDORF), JULIA STOSCHEK COLLECTION, Duesseldorf. 10 October 2009 – 29 July 2010

Starting in October 2009 the JULIA STOSCHEK COLLECTION will present its first-ever exhibition in collaboration with P.S.1 Contemporary Art Center (New York) and Performa, the international performance biennial (New York). The exhibition documents the past hundred years of performance art. To the exhibition

OUT OF SPACE 1: CAO FEI - WHOSE UTOPIA, JULIA STOSCHEK COLLECTION, Gloriahalle, Duesseldorf. 25 April 2009 – 27 June 2009

The JULIA STOSCHEK COLLECTION is to present a new series of exhibition projects entitled OUT OF SPACE. These projects will take place at irregular intervals and, as the name suggests, will not be staged at the collection’s home at Schanzenstrasse 54.

The first exhibition in the series puts the spotlight on the Chinese artist Cao Fei. Opening on 24 April 2009 as part of this year’s ART COLOGNE festival, the exhibition comprises four pieces, including the bulky two-channel installation “Whose Utopia” from 2006. To the exhibition

NUMBER TWO: FRAGILE, JULIA STOSCHEK COLLECTION, Duesseldorf. 11 October 2008 – 1 August 2009

The second exhibition of works from the JULIA STOSCHEK COLLECTION bears the title NUMBER TWO: FRAGILE. The exhibition focuses on corporeality in videos, installations and photography, an aspect of art that has been explored intensively since the 1960s and 1970s, in particular within the genres of Body Art and Performance.  To the exhibition

RHINE ON THE DNIPRO: JULIA STOSCHEK COLLECTION/ANDREAS GURSKY, Pinchuk Art Centre, Kiev. 28 September 2008 – 14 December 2008

The fascination for the treatment of present-day reality in digital pictures and music is a binding force between the collector Julia Stoschek, the artist Andreas Gursky and the band KRAFTWERK, currently made up of Ralf Hütter, Florian Schneider, Fritz Hilpert and Henning Schmitz.

From 28 September 2008 the PinchukArtCentre in Kiev will be showing an exhibition combining these three disciplines for the first time as part of Ukraine’s Deutsche Kulturwochen (festival of German culture). To the exhibition

VIDEO KOOP, KIT - Kunst im Tunnel, Duesseldorf. 3 May 2008 – 27 July 2008

VIDEO KOOP is an exhibition project in the KIT which came into being through an invitation to Julia Stoschek. Julia Stoschek, the initiator of the JUST scholarship and founder of the JULIA STOSCHEK COLLECTION, presents six artists in the VIDEO KOOP context, most of whom come from Duesseldorf and work chiefly with film, video, and installations.

Christiane Fochtmann, Andreas Bunte, Manuel Graf, Andreas Korte, Bianca Voss and Jan Wagner develop artistic positions that address the history of art and culture, everyday events and poetry in the media of film and music. To the exhibition

 

NUMBER ONE: DESTROY, SHE SAID, JULIA STOSCHEK COLLECTION, Duesseldorf. 18 June 2007 – 2 August 2008

For the opening exhibition, entitled NUMBER ONE: DESTROY, SHE SAID, Julia Stoschek has assembled approximately 40 creative statements from international artists on the subjects of construction/deconstruction and interior/exterior. To the exhibition

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The Just Project, Duesseldorf. 2003 – 2006

The "Just Project" was established in May 2003 together with the Just Düsseldorf e.V. artist grant as an exhibition and event venue for young artists. It was primarily intended to support artists whose work contributes to contemporary artistic discourse and who engage with current developments in society. The artist-in-residence grant encouraged exchange between visiting artists both from Germany and abroad and the local art scene.
After three years, the Just Düsseldorf e.V. artist grant bowed out in 2006 with the event and exhibition series “4 x 2”.  To the Just Project

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© Julia Stoschek Foundation e.V. 2010 | Schanzenstrasse 54 | D 40549 Düsseldorf | Tel. +49.211.585.884.0 | Fax +49.211.585.884.19 | info@julia-stoschek-collection.net